My sneakers are a reflection of my art, whether they are paint-spattered, burned or caked in dirt and mud. I have saved nearly all my used sneakers over the years, and recently, I started purposely painting on my shoes with the stencils and spray paints I use to make my L.A. Blue Bum paintings. Then I took it a step further and began creating brightly colored whimsical paintings on my old pairs of sneakers, incorporating their age and relative state of disrepair. I call them my Tricked Out Kicks. I wear them to openings and art events, and for the Art of Transportation exhibition at Crewest Gallery in downtown L.A., I was asked to exhibit some of them. Instead of a traditional display, I decided to show them in a way that fit the theme of the graffiti-inspired show and reflected the personality of my Echo Park neighborhood: I hung them from electrical cables strung across the gallery 14 feet off the ground.
In the spirit of the Getty Foundation-sponsored project “Pacific Standard Time: Art in L.A. 1945-1980,” the 18th Street Art Center in Santa Monica enlisted artists to create exhibitions commemorating California’s influential contemporary art movement. “Have You Seen My Privacy?” curated by artist Richard Newton, incorporated paintings, video, installations, ephemera and correspondence into a series of exhibits by artists whose work examines personal identity in this increasingly technological age. There were also weekly public discussions with the artists involved. Newton asked me to show examples of my work that explore issues of the loss of privacy, identity and depersonalization. I chose life-size photo blowups of my “Burning Mask” series — a performance in which I crawled in an alley wearing a flaming triangle mask — and my “Unit in Orange” performance — in which I marched around a gallery with a number shaved onto my head and an aborted human fetus cupped in my hands. I also set out three “Body Bags” on the floor of the gallery and two “Buddha on Money Bags” meditation mats. On the evening of my public discussion, I previewed “Being Human,” an 11-minute video documentary on my nearly 40-year career.
Click For ‘Being Human’ Video
Captions: Above: (L to R) ‘Buddha On Moneybags’ c. 1995 (Under) Body Bags c.1998. (To Right) Unit In Orange c. 1978. (Below) Stephen Seemayer wearing fire mask c. 1978. (Below) Installation shot at 18th Art Gallery.
I feel very honored to be among the artists included in the new book “L.A. Rising: SoCal Artists Before 1980,” published in late 2010 by the California/International Arts Foundation and edited by Lyn Kienholz. Christopher Knight of the Los Angeles Times called it an “instantly indispensable ‘encyclopedia’ of more than 500 artists who worked and showed in L.A. before the city emerged as an international powerhouse.” HuffPost Books reviewer Jane Chafin said, “Besides finding ‘L.A. Rising’ an invaluable reference tool that every visual arts professional should have, it is also a lush and highly entertaining stroll down memory lane for anyone who has watched the L.A. art scene.” I agree, and reinforcing the nostalgia aspect of the book, many of the artists still alive and working gathered at the Getty Museum for a book launch party in December 2010. It was an amazing evening, as we all got to set eyes on the book for the first time. The cover photo by Joe Morgenstern is beautiful, and Lyn did a Herculean job rounding up reproductions of all the artists’ work, as well as reviews and excerpts of essays from the period in which the work was exhibited.